‘Vedam’ has been over publicized as the new concept on Telugu screen with five stories said in parallel which merge in final into a coherent plot. This is a new pattern of screen play which was invented in year 2000 by the Mexican movie ‘Amores Perros’ in the direction of Alejandro Gonzalez Inarritu.
Later such screenplay was inherited by Indian cinema mainly in Bollywood and then in Kollywood with ‘Saroja’ later on by ‘Om Shanthi’ from Three Angels in Tollywood.
When media hasn’t gave any importance to the creative flick ‘Om Shanthi,’ why is it overhyping the ‘Vedam’ is the first question that is known to be stirring in Vyjayanthi and Three Angels. As said by few movie critics, much of the screenplay in ‘Vedam’ resemble the format of ‘Om Shanthi’ and finally both movies end by the handywork of terrorists.
Well, now who can question media? Sorry, who this media actually is?
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